Director: Robert Schwentke
Writer: Phil Hay, Matt Manfredi, David Dobkin
Starring: Ryan Reynolds, Jeff Bridges, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak
Release: 2013
Nick Walker, Boston police detective, has made a few mistakes – namely, taking evidence from a crime scene in the hopes that he might be able to get enough money to live comfortably with his wife, Julia. But when he begins to have second thoughts, his partner Hayes steps in and kills him. That's not the end of Nick, as he gets offered a position with the Rest In Peace Department, the afterlife law enforcement that hunt down the souls of those who have died but refuse to leave Earth. And it looks like Nick and his new partner Roy have stumbled onto something a lot bigger than anyone suspected and it has to do with the evidence Nick got killed for.
THE SQUEE
- Ryan Reynolds is comedic genius, always has been, always will be. He doesn't get to cut loose in this, but it's still entertaining to watch.
- Jeff Bridges chews the scenery like it's going out of fashion – he's over-the-top and almost steals the 'main character' status from Ryan Reynolds. The same goes for Kevin Bacon; he takes a pretty standard role in a sci-fi action movie and makes it fun.
- There are some really solid special effects throughout the film, from the frozen time people experience as they die, to the grotesque shapes that the corrupt dead souls take on. There are some parts that aren't as well done, but those can be ignored easily. It's on the same level as the first Men in Blackfilm.
THE SUCK
- That is actually the major problem with this movie; it's trying REALLY hard to be Men in Black. That's understandable – the source material is incredibly similar to the Men in Black concept but the plot is almost directly comparable. The only major difference is that Nick tries to return to his previous life whereas J pretty quickly gives up his. For the most part, the humour is pretty close to Men in Black too; Ryan Reynolds doesn't quite have the attitude of Will Smith (mainly because his character treats the whole thing as SERIOUS BUSINESS) but he gives it a valiant attempt.
- There are some weak points in the humour too. The running gag of how Nick and Roy appear to the living gets old fast – it's basically one joke (Jeff Bridges looks like Marisa Miller, a Victoria's Secret model!) and it gets used again and again and again for no real reason. I guess it could be to remind the audience that Nick will appear different to his wife now he's dead but that's been done before much better – check out Dead Like Me for a great example.
- The major plot of the film feels incredibly generic. The first third as Nick gets accustomed to his new existence is interesting and then it suddenly falls into a trough where things seem to happen without a great deal of explanation. Yes, everything has a reason, but not a great deal of motivation. It's a shame that they didn't follow the source material where the antagonist are souls escaping from Hell as part of a plot to overthrow Satan.
There's a lot of potential in this film. I think it would have made an amazing TV series (but might have cost a lot of money) but as a movie it's only so-so. I really do recommend reading the stand alone series that Dark Horse produced and that the film is based on.
R.I.P.D. - Peter Lenkov – 9781616550714 - $24.99 – 104 pages